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Growing up in a rough North West London Council Estate, Moran uncovers intensely personal narratives...
…dissecting fragilities of the human condition, she parallels a dark foundation by creating ‘a kind of beauty out of ugliness’.
Why I Paint Thousands of Circles explores psychological barriers stemming from a single horrific event that involved Moran’s father and his brother. An ar(t)chaeological archive of family photos, product imagery, together with newspaper clippings form a historical mind map.
This exposition becomes an auto-ethnographical exploration of mid 90's working class North West London merged with her repetitive painting process.
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