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Growing up in a rough North West London Council Estate, Moran uncovers intensely personal narratives...
…dissecting fragilities of the human condition, she parallels a dark foundation by creating ‘a kind of beauty out of ugliness’.
Why I Paint Thousands of Circles explores psychological barriers stemming from a single horrific event involving Moran’s father and his brother.
This exposition becomes an ar(t)chaeological archive of family photos, product imagery together with newspaper clippings.
An auto-ethnographical mind map of mid 90's working class North West London merges with her repetitive circle painting process.
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