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Growing up in a rough North West London Council Estate, Moran uncovers intensely personal narratives...
…dissecting fragilities of the human condition, she parallels
dark foundations by creating ‘a kind of beauty out of ugliness’.
Why I Paint Thousands of Circles explores psychological barriers stemming from a single horrific event involving Moran’s father and his brother.
This exposition becomes an ar(t)chaeological archive of family photos, product imagery together with newspaper clippings.
An auto-ethnographical mind map of mid 90's working class North West London merges with her repetitive circle painting process.
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