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Growing up in a rough North West London Council Estate, Moran uncovers intensely personal narratives...
…dissecting fragilities of the human condition,
she creates ‘a kind of beauty out of ugliness’.
Why I Paint Thousands of Circles is an auto-ethnographical exposition mapping an 'ar(t)chaeological' archive of family photos, product imagery together with newspaper clippings which merges with her repetitive circle painting process.
Detailing life growing up in a working class North West London council estate during the mid 1990's, Moran confronts psychological barriers stemming from a single horrific event involving her father and his brother.
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