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Growing up in a rough North West London Council Estate, Moran uncovers intensely personal narratives...
…dissecting fragilities of human conditions,
‘beauty out of ugliness’ is created.
Why I Paint Thousands of Circles is an auto-ethnographical exposition merging Moran's repetitive circle painting process with a mapping of 'ar(t)chaeological' archival family photos, childhood memorabilia together with newspaper clippings.
Detailing life growing up in a working class North West London council estate during the mid 1990's, Moran confronts psychological barriers stemming from a single horrific event involving her father and his brother.
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